Kami 03 Cabinet by Le Cann - sandblasted pine cabinet with stone tile doors, four block feet and keyhole detail

Kami - Kami 03 Cabinet

Name: Kami - Kami 03 Cabinet
Brand: Le Cann
Price: 37200 EUR
Availability: InStock

by Le Cann

Price on demand

Material

Sandblasted Pine

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The Kami 03 is a storage cabinet from the Kami collection, designed by Le Cann, with stone tile door panels set within a sandblasted pine frame.

The cabinet's form is rectangular and resolved: four simple block feet in pale wood, a frame in sandblasted pine, and two doors whose surfaces are composed of light beige stone tiles in a regular grid. A small keyhole on the right door is the only hardware element, its restraint consistent with the collection's broader approach to surface incident. The natural palette of pale wood and off-white stone reads as ordered and calm from across a room.

In the Kami collection, every piece type receives the same material treatment. Le Cann makes no category distinction between a storage piece and a dining table: the same sandblasted pine, the same geometric precision, the same stone details. This consistency is both a design position and a practical argument for the collection as a room-spanning ensemble. Raphaelle Robert and Guillaume Fantin design from the drawn line outward, and that discipline applies as fully to a cabinet door as to a tabletop.

The Kami 03 works as a sideboard in a dining room, a low media cabinet in a living space, or an entry piece where stone tile and pale pine introduce the collection's material language before the rest of the room.

Part of the Kami collection by Le Cann, AD100 and FD100 studio.

W 125 x D 40 x H 150.5 cm

W 49.21 x D 15.75 x H 59.25 in

Materials: Tinted sandblasted pine

About
Le Cann

Founded in 2021 by Raphaëlle Robert and Guillaume Fantin, Le Cann studio brings a precise French minimalist voice to interior architecture. The two designers met at École Bleue before training at the most demanding Parisian firms: Raphaëlle at Marie Deroudilhe and Thierry Lemaire, Guillaume at Andrée Putman and Joseph Dirand. That formation shows in every project.

Their practice is rooted in drawing. Pages of traced lines, refined collaboratively, guide the spatial thinking that defines Le Cann's work. Volumes are shaped by light. Clean lines articulate space without announcing themselves. The 1930s design tradition, with its attention to ensemble and craft, runs through everything they produce, yet the studio resists a fixed aesthetic. Inspiration, Robert and Fantin have said, can arrive through travel, a film, or a material flaw that turns out beautifully, and each project is shaped by its own context.

The result holds opposing qualities in tension: rigorous and warm, minimal and referential, restrained and expressive. Sisal, travertine, and brocade recur across their commissions, chosen for tactile presence rather than trend. The guesthouse in Castillon-du-Gard, completed in 2022, stands among their most recognized projects, a 32 m² space where bold architectural gesture and disciplined detailing coexist.

Recognition has followed quickly. AD magazine named the studio among France's emerging decoration talents in 2023. The FD100 Prize and the AD & Range Rover Awards came in 2024. Le Cann is listed among the AD100, the annual selection of France's most influential interior architects. Their work is available on Monde Singulier.

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