Kami - Kami 07 Console

Name: Kami - Kami 07 Console
Brand: Le Cann
Price: 16620 EUR
Availability: InStock

by Le Cann

Price on demand

Material

Sandblasted Pine

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The Kami 07 Console is a sculptural wall piece from the Kami collection by Le Cann, designed by Raphaëlle Robert and Guillaume Fantin at their Paris studio.

The piece is constructed from interlocking planes of sandblasted pine: a tall vertical panel forms the primary structure, supported by horizontal members at the top and base that stiffen the form without visible fasteners. A shorter panel leans forward at ground level, the only non-perpendicular element in the composition. From the front, it reads as a relief as much as furniture; from the side, the forward-leaning element gives the assembly a directed sense of movement.

The sandblasted pine grain is vertically oriented on the main panel and shifts direction across the horizontal elements, making the construction logic legible without annotation. The surface is untreated beyond the sandblasting, which removes the wood's superficial layer and leaves a matte, slightly rough texture that holds the light evenly and changes tone with the time of day.

The Kami 07 Console belongs to a collection of twelve pieces sharing a formal vocabulary drawn from the 1930s French design tradition of full-room ensembles. It sits naturally against an entry wall or in a living room, alongside the Kami 03 Cabinet, the Kami 08 Screen, and the Kami 09 and Kami 10 dining tables. Le Cann was named among AD magazine's emerging decoration talents in 2023 and awarded the FD100 Prize in 2024.

W 95 x D 53 x H 90 cm

W 37.4 x D 20.87 x H 35.43 in

Materials: Tinted sandblasted pine

About
Le Cann

Founded in 2021 by Raphaëlle Robert and Guillaume Fantin, Le Cann studio brings a precise French minimalist voice to interior architecture. The two designers met at École Bleue before training at the most demanding Parisian firms: Raphaëlle at Marie Deroudilhe and Thierry Lemaire, Guillaume at Andrée Putman and Joseph Dirand. That formation shows in every project.

Their practice is rooted in drawing. Pages of traced lines, refined collaboratively, guide the spatial thinking that defines Le Cann's work. Volumes are shaped by light. Clean lines articulate space without announcing themselves. The 1930s design tradition, with its attention to ensemble and craft, runs through everything they produce, yet the studio resists a fixed aesthetic. Inspiration, Robert and Fantin have said, can arrive through travel, a film, or a material flaw that turns out beautifully, and each project is shaped by its own context.

The result holds opposing qualities in tension: rigorous and warm, minimal and referential, restrained and expressive. Sisal, travertine, and brocade recur across their commissions, chosen for tactile presence rather than trend. The guesthouse in Castillon-du-Gard, completed in 2022, stands among their most recognized projects, a 32 m² space where bold architectural gesture and disciplined detailing coexist.

Recognition has followed quickly. AD magazine named the studio among France's emerging decoration talents in 2023. The FD100 Prize and the AD & Range Rover Awards came in 2024. Le Cann is listed among the AD100, the annual selection of France's most influential interior architects. Their work is available on Monde Singulier.

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