Kami - Kami 06 Mirror
by Le Cann
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The Kami 06 Mirror is a portrait-format wall mirror from the Kami collection, designed by Le Cann with a thick octagonal frame in washi paper.
The frame has the visual density of faceted stone. Washi paper, a Japanese material made from plant fibers, carries subtle natural veining and a matte, off-white surface that reads as mineral at close range. Within the octagonal outer form, the reflective surface is rectangular with neatly clipped corners, creating an inner geometry that responds to the outer one. The proportions are substantial: the frame's thickness gives the piece presence without heaviness.
In the Kami collection, Le Cann builds with materials that carry natural variation into domestic space. Where the pine pieces show grain through sandblasting, the Kami 06 brings the texture of plant fiber into the room as a framing material. Raphaelle Robert and Guillaume Fantin, who cite 1930s French design tradition and an empirical drawing process as their foundation, treat material selection as an extension of form-making. The washi frame is not decorative wrapping; it is load-bearing geometry.
The Kami 06 works above a console, in an entry, or as a standalone wall element in a bedroom or living space. Its neutral palette integrates across interior styles.
Part of the Kami collection by Le Cann, AD100 and FD100 studio.
W 68 x D 4.5 x H 88 cm
W 26.77 x D 1.77 x H 34.65 in
Materials: Papier Washi
About
Le Cann
Founded in 2021 by Raphaëlle Robert and Guillaume Fantin, Le Cann studio brings a precise French minimalist voice to interior architecture. The two designers met at École Bleue before training at the most demanding Parisian firms: Raphaëlle at Marie Deroudilhe and Thierry Lemaire, Guillaume at Andrée Putman and Joseph Dirand. That formation shows in every project.
Their practice is rooted in drawing. Pages of traced lines, refined collaboratively, guide the spatial thinking that defines Le Cann's work. Volumes are shaped by light. Clean lines articulate space without announcing themselves. The 1930s design tradition, with its attention to ensemble and craft, runs through everything they produce, yet the studio resists a fixed aesthetic. Inspiration, Robert and Fantin have said, can arrive through travel, a film, or a material flaw that turns out beautifully, and each project is shaped by its own context.
The result holds opposing qualities in tension: rigorous and warm, minimal and referential, restrained and expressive. Sisal, travertine, and brocade recur across their commissions, chosen for tactile presence rather than trend. The guesthouse in Castillon-du-Gard, completed in 2022, stands among their most recognized projects, a 32 m² space where bold architectural gesture and disciplined detailing coexist.
Recognition has followed quickly. AD magazine named the studio among France's emerging decoration talents in 2023. The FD100 Prize and the AD & Range Rover Awards came in 2024. Le Cann is listed among the AD100, the annual selection of France's most influential interior architects. Their work is available on Monde Singulier.
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