Ebur Editions - Reine Armchair
by Studio Ebur
Material
Wrought Iron
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The Reine armchair is a metal accent chair from Studio Ebur's Ebur Editions collection, the seated counterpart to the Reine chair and Reine table within the same decorative metalwork family.
The frame is white metal, its proportions balanced between apparent lightness and structural solidity. The backrest carries the family's defining detail: a wavy top rail crowned with three spherical finials. On the armchair, this vocabulary extends further, with curved armrests that terminate in matching spherical accents, connecting the ornamental gesture from top rail to base. Two removable cushions in cream textile cover the seat and backrest separately, softening the frame without concealing its geometry.
Studio Ebur produces the Reine armchair with the same wrought iron methods shared across the Reine family: elements are formed individually by hand in workshops in Lebanon and Portugal before assembly. The spherical finials and wavy rails show slight organic variation piece to piece, the natural signature of handmade metalwork rather than cast production.
Within Ebur Editions, the Reine armchair rounds out a coherent seating vocabulary alongside the Reine chair. Where the chair reads as a dining or accent piece, the armchair's proportions and removable cushions place it closer to a salon or occasional-use context.
W 58 x D 50 x H 88 cm
W 22.83 x D 19.69 x H 34.65 in
Materials: Wrought iron, cotton or linen.
About
Studio Ebur
Studio Ebur is a Paris design studio founded in 2020 by Racha Gutierrez and Dahlia Hojeij Deleuze. The name carries its own etymology: Ebur is Latin for ivory, a reference to the Ivory Coast where both founders grew up before studying architecture together in Paris.
Their practice covers furniture, lighting, objects, and spatial design. The aesthetic builds on West African craft, Mediterranean light and form, and the French and Italian decorative arts of the early twentieth century. References span Jacques-Emile Ruhlmann, Jean Dunand, Carlo Bugatti, and the Wiener Werkstätte. The studio describes this layering as a palimpsest, cultures accumulated across time that give each piece depth without fixing it to a single origin.
Production is distributed across workshops in France, Portugal, Italy, and Lebanon, each chosen for a specific technique: forged iron, stoneware, raw silk, or the Lebanese marquetry tradition that the studio weaves into contemporary furniture forms.
The debut furniture collection, Le bruit de la mer (2023), drew its title from a shared childhood memory: the sound of the sea on weekends in Ivory Coast and along the Mediterranean. The collection set the studio's formal vocabulary: curved silhouettes, textured surfaces, a tension between raw and refined that carries through their work. Signature pieces such as the Visconti armchair and the Dante mirror translate that vocabulary into domestic scale. Studio Ebur holds AD 100 recognition.
Their furniture and objects are available on Monde Singulier.
Collection
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Created for MS
Created for MS
