Ebur Editions - Reine Table
by Studio Ebur
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The Reine table is a metal side table from Studio Ebur's Ebur Editions collection, designed to coordinate with the Reine chair and Reine armchair through shared metalwork details.
The tabletop is square and perforated, its surface punctuated by a regular pattern of openings that lighten the visual weight of the metal. Four slender legs carry the top, each terminating in a spherical finial at the upper end. At the base, wavy metalwork connects the legs in a decorative apron, with additional spherical accents placed at the curves. The whole piece is finished in off-white, a consistent tone across the Reine family.
Wrought iron fabrication follows artisan methods that Studio Ebur sources from workshops in Lebanon and Portugal, where metalworkers shape and weld the decorative elements by hand. The spherical finials and wavy rails are formed individually before assembly, which accounts for the slight organic variation that distinguishes handmade metalwork from cast production.
The Reine table, alongside the Reine chair and Reine armchair, represents Studio Ebur's most developed exercise in decorative metal furniture within Ebur Editions.
W 102 x D 102 x H 78 cm
W 40.16 x D 40.16 x H 30.71 in
Materials: Wrought Iron
About
Studio Ebur
Studio Ebur is a Paris design studio founded in 2020 by Racha Gutierrez and Dahlia Hojeij Deleuze. The name carries its own etymology: Ebur is Latin for ivory, a reference to the Ivory Coast where both founders grew up before studying architecture together in Paris.
Their practice covers furniture, lighting, objects, and spatial design. The aesthetic builds on West African craft, Mediterranean light and form, and the French and Italian decorative arts of the early twentieth century. References span Jacques-Emile Ruhlmann, Jean Dunand, Carlo Bugatti, and the Wiener Werkstätte. The studio describes this layering as a palimpsest, cultures accumulated across time that give each piece depth without fixing it to a single origin.
Production is distributed across workshops in France, Portugal, Italy, and Lebanon, each chosen for a specific technique: forged iron, stoneware, raw silk, or the Lebanese marquetry tradition that the studio weaves into contemporary furniture forms.
The debut furniture collection, Le bruit de la mer (2023), drew its title from a shared childhood memory: the sound of the sea on weekends in Ivory Coast and along the Mediterranean. The collection set the studio's formal vocabulary: curved silhouettes, textured surfaces, a tension between raw and refined that carries through their work. Signature pieces such as the Visconti armchair and the Dante mirror translate that vocabulary into domestic scale. Studio Ebur holds AD 100 recognition.
Their furniture and objects are available on Monde Singulier.
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