Ebur Editions - Reine Chair
by Studio Ebur
Material
Wrought Iron
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The Reine chair is a dining and accent chair from Studio Ebur's Ebur Editions collection, its white metal frame drawn as fine as ironwork jewelry.
The backrest's most recognizable detail is a wavy top rail crowned with three spherical finials, a reference to Studio Ebur's recurring decorative vocabulary that treats functional structure as ornament. The seat and rectangular backrest are upholstered in cream linen, and the back legs splay gently outward at the base, giving the frame an animated stance without disrupting the overall composure.
Fabrication combines wrought iron work with handwoven textile upholstery, both sourced from workshops that Racha Gutierrez and Dahlia Hojeij Deleuze collaborate with across France and Lebanon. The metal stays white throughout, allowing the cream textile and the decorative finials to read as accent.
The Reine chair belongs to a family of pieces within Ebur Editions that share the same metalwork language. Pieces such as the Reine table and Reine armchair extend this vocabulary across different typologies.
W 50 x D 50 x H 88 cm
W 19.69 x D 19.69 x H 34.65 in
Materials: Wrought Iron, Cotton Or Linen.
About
Studio Ebur
Studio Ebur is a Paris design studio founded in 2020 by Racha Gutierrez and Dahlia Hojeij Deleuze. The name carries its own etymology: Ebur is Latin for ivory, a reference to the Ivory Coast where both founders grew up before studying architecture together in Paris.
Their practice covers furniture, lighting, objects, and spatial design. The aesthetic builds on West African craft, Mediterranean light and form, and the French and Italian decorative arts of the early twentieth century. References span Jacques-Emile Ruhlmann, Jean Dunand, Carlo Bugatti, and the Wiener Werkstätte. The studio describes this layering as a palimpsest, cultures accumulated across time that give each piece depth without fixing it to a single origin.
Production is distributed across workshops in France, Portugal, Italy, and Lebanon, each chosen for a specific technique: forged iron, stoneware, raw silk, or the Lebanese marquetry tradition that the studio weaves into contemporary furniture forms.
The debut furniture collection, Le bruit de la mer (2023), drew its title from a shared childhood memory: the sound of the sea on weekends in Ivory Coast and along the Mediterranean. The collection set the studio's formal vocabulary: curved silhouettes, textured surfaces, a tension between raw and refined that carries through their work. Signature pieces such as the Visconti armchair and the Dante mirror translate that vocabulary into domestic scale. Studio Ebur holds AD 100 recognition.
Their furniture and objects are available on Monde Singulier.
Collection
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Created for MS
Created for MS
