Section - Section Coffee Table
by Paul Coenen
Material
Stainless Steel
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The Section Coffee Table is a low rectilinear table in matte light grey metal, with a flat double-panel top and a grid structure of open cubbies and solid compartments below, designed by Paul Coenen for the Section collection.
The flat top reads as a continuous plane broken by a single central seam. Beneath it, the structural grid alternates between open cavities with dark interiors and closed rectangular masses, creating a rhythm of shadow and form. The table sits low, keeping its visual mass close to the ground.
Matte light grey metal throughout. The surface finish avoids reflection, treating the piece as an object rather than a mirror. The dark interiors of the open compartments create the only tonal contrast; the shadows do the work of ornament.
The Section Coffee Table is available at Monde Singulier, part of Paul Coenen's Section collection, where form is the outcome of material and process constraints rather than an initial aesthetic intention. Seen from standing height, the grid base reads as a low-relief landscape across the floor.
W 100 x D 100 x H 33 cm
W 39.37 x D 39.37 x H 12.99 in
Materials: 6mm Stainless Steel
About
Paul Coenen
Paul Coenen (b. 1992) is a designer based in Eindhoven, the Netherlands, whose work embodies an experimental, hands-on approach rooted in a deep fascination with materials and the interplay between modern and traditional manufacturing techniques.
With each project, Coenen works to unearth the possibilities and limitations of his chosen materials, letting them guide and shape the outcome. The final form of each object is a direct consequence of the materials used and the techniques applied, not of pre-conceived design intentions. This gives his pieces a material authenticity that places them firmly within the Dutch experimental design tradition, where Eindhoven's culture has long nurtured makers who put investigation before convention.
His Section collection, exclusive to Monde Singulier, brings this philosophy into sharp focus. The formal language is spare: repetition, proportion, and the logic of industrial process made visible. Pieces such as the Section Bench, two U-shaped concrete volumes joined at center, and the Section Large Mirror, with its understated metallic frame and subtle double-edge detailing, arrive at their forms through the process itself. Function is present but never announced.
Coenen belongs to a generation of emerging Dutch designers whose collectible work earns its authority through the integrity of its making, not through decoration.
Explore the Paul Coenen catalog on Monde Singulier.

































