Arcade - Coffee Table - Round
by Yellen Boisseau
Material
Light
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The Arcade Coffee Table - Round features two overlapping circular stone tops, one of which incorporates a dark wood inlay at its center. The pair is carried by two separate curved wooden bases in warm medium-brown, each positioned independently beneath the offset circles.
The overlap is the defining gesture of the piece. Where the two stone surfaces meet, the inlay adds a third material layer: a disc of dark wood set flush into the lighter stone. This detail shifts the table from a simple round form into something more compositional. The curved wooden bases are solid, each one holding a circle of stone, so the full piece reads as two discrete objects brought into deliberate proximity.
Stone is light beige with fine natural veining; wood is warm medium-brown. The contrast between the pale mineral surface and the warm timber is consistent across the Arcade collection.
Yellen Boisseau first showed the Arcade collection at Paris Design Week Factory 2025. A 2021 graduate of the Penninghen school, she builds furniture with the precision of an architect working at reduced scale. The round coffee table is available through Monde Singulier.
W 130 x D 80 x H 35 cm
W 51.18 x D 31.5 x H 13.78 in
Materials: Brushed oak wood and Emperador Light marble with a leather finish.
About
Yellen Boisseau
Yellen Boisseau graduated from the Penninghen School of Interior Architecture in Paris in 2021. She has since maintained a practice split between Paris and Barcelona, taking residential commissions in high-end interiors while developing furniture and objects in parallel.
At Penninghen, she trained under a programme that treats interior architecture as fundamentally spatial. That discipline runs through her furniture work. A chair or table is resolved the way a room is resolved: from the structural logic outward, with material choice following function rather than preceding it.
Natural materials are non-negotiable in her practice. Wood, stone, and textile each impose their own constraints, and she works within them. The aesthetic that results reads as direct — specific to the object rather than borrowed from a style.
At Paris Design Week Factory 2025, Boisseau presented her debut furniture collection. The response confirmed what her residential commissions had suggested: a formal clarity and material sensibility that held up against more experienced designers. For a first furniture collection, the identity was settled in a way that usually takes years to arrive at.
Her residential studio remains active in Paris and Barcelona. Her current furniture work is available on Monde Singulier.



























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