Maison Pierre Favresse Collection

Exclusive collections

Maison Pierre Favresse Collection

Maison Pierre Favresse
7 pieces
The story

The Butterfly Collection is designed as an interior landscape, a composition of enveloping forms that both surround the body and assert a strong spatial presence.

The Tortoise table draws inspiration from the deep, vibrant nuances of tortoiseshell, translated here through a hand-painted lacquer developed by an EPV-certified workshop. Each surface reveals a unique pattern, where amber and dark tones layer with richness and subtlety.

The Moone table, crafted in Italian ceramic, asserts a sculptural, almost architectural presence. Inspired by a brutalist language, it explores the strength of volumes, the precision of lines, and a form of controlled radicality.

The Arlo Collection takes inspiration from Japanese furniture and architecture, where simplicity is approached as a discipline rather than a style. The structure is fully visible and deliberately expressed, giving the object its rhythm and presence.

Pierre Favresse is one of the most recognized French designers of his generation. His work explores the intersection of craftsmanship, innovation and human experience.

Pieces

Maison Pierre Favresse Collection

The Butterfly Collection is designed as an interior landscape, a composition of enveloping forms that both surround the body and assert a strong spatial presence.

The Tortoise table draws inspiration from the deep, vibrant nuances of tortoiseshell, translated here through a hand-painted lacquer developed by an EPV-certified workshop. Each surface reveals a unique pattern, where amber and dark tones layer with richness and subtlety.

The Moone table, crafted in Italian ceramic, asserts a sculptural, almost architectural presence. Inspired by a brutalist language, it explores the strength of volumes, the precision of lines, and a form of controlled radicality.

The Arlo Collection takes inspiration from Japanese furniture and architecture, where simplicity is approached as a discipline rather than a style. The structure is fully visible and deliberately expressed, giving the object its rhythm and presence.

7 pieces